When Josef Albers published Interaction of Color in 1963, it was nothing less than the gateway to an entire way of thinking. First, there was its size: The original edition was massive (about as big as a turntable and as heavy as a 20-pound dumbbell) and it wasn’t really a book. Interaction of Color was more a hands-on kit, with its collection of more than 150 printed silkscreen color studies, a corresponding book of commentary and second book delving into Albers’ famous color philosophy, that were all meant to be sprawled out on a table and interacted with as a way for students to learn about the relationships between colors.
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